Now is the Time to Moor Off features two extending armrests, cast from a composite material comprising sugarcane bio-waste known as bagasse and Jesmonite (acrylic modified cementitious composite).
The narrative of this piece is deeply intertwined with the role of the sugar industry in shaping the character and context of the Royal Docks. Once disregarded as waste, sugarcane bagasse has recently gained recognition as a sustainable pulp. This project serves as both an experiment in utilising this fibrous industrial byproduct as a building material and as a means of engaging with the history and local context of the Royal Docks. By repurposing the sugar byproduct into functional public seating, the bench sparks a dialogue between the past and present, while also reaching towards a speculative future that embraces the principles of the circular economy.
The bench's sculptural design draws inspiration from the mooring posts and horn bollards found in the Royal Docks, commonly used for securing marine ropes during ship mooring. Now is the Time to Moor Off symbolises a moment of pause and rest, inviting members of the public to reflect on their surroundings and local history along the industrial riverside. It prompts us to contemplate the contemporary relationship between the industry and its byproducts.
Studio_Underbar's inspiration stems from research-based studies that delve into the interplay between context and materiality, with the primary focus spanning across urban design, landscape, and the intersection of community and culture. Meanwhile, Jin and Hosung's hobby lies in arts and crafts, hoping to bridge the scales between architecture and everyday objects.
Image: Luke O'Donovan
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